Control Your Brush
One of the most important aspects of the Hair Painting method is “brush control,” says Victoria. Traditional Balayage uses a paddle, which is far more difficult to control and manipulate—the results tend to be messier, more severe and less natural. “With Hair Painting, we use a brush, which helps to shape and mold the color for natural, seamless results,” says Victoria.
Pro tip: Make sure there is saturation of product onto the hair going from lighter to stronger by the time it gets to the ends—this creates a softer ombré effect.

Be Open Minded
“Our philosophy at Whittemore House is that coloring hair with foils creates a very cookie-cutter, outdated affect,” reveals Larry. “The entire process of using foils, from start to finish, leaves little to no room for creativity and customization.” In order to get colorists out of this robotic way of thinking, the first word Victoria and Larry teach is “intention.” Let go what you’ve been taught about hair in the past, and be open to thinking about hair in an entirely different way.

Mix It Up
A good tip when painting blondes close to the root is to mix lightener thicker to avoid bleeding through sections. “Take wider and thicker sections to give an all-over lighter, more sun kissed look,” advises Victoria. “Painting a thinner section will make the color more gradated and natural while painting a thicker section will make the color more bold and contrasted.”

Take It From the Top
According to Larry, it’s very important to guide the brush from top (or wherever you want to start—be it at the root, in the middle of the hair or toward the end) to tips and never the reverse. “Backcombing the hair not only creates damage, it’s time consuming and has no artistic value, which can often lead to a mess,” he says. Approaching the hair with a thoughtful, careful technique where you can see the color being applied will produce far better results.